Edo era
Kite Brown & Gold— 鳶と黄金
The warm brown of a kite's wing lit by afternoon gold.
10 named colors · 2 combinations
Earthy browns, chestnuts, and raw umber from the Wada tradition. Brown tones dominate the historical textile palette — koge (burnt), kogecha (chestnut brown), and tsuchi (soil) were the workday colors of Edo merchants and craftsmen.
Named colors
From a standard colour wheel, Brown anchors these four classic schemes. Each swatch is computed from its exact hue, so every hex is a real, usable pairing.
the hue directly opposite — the highest-contrast pairing, good for a single bold accent.
the two neighbours on the wheel — a calm, cohesive scheme that feels effortless.
two hues an even third of the wheel away — balanced and lively without clashing.
the two colours either side of the complement — the contrast of a complement, softened.
Brown is a deep, muted tone (HSL 24°, 49%, 32%), which makes it a grounding background or strong accent. For text it passes WCAG AA for body text against a light background (7.4:1) — safe for paragraphs, buttons and labels. When you do set type on it, use light lettering. Pair it with its complement (#2A5B7B) for a focal accent, or with its analogous neighbours (#7B2A33 and #7B722A) for a quieter, harmonious feel.
Combinations
Every palette in the archive where brown is the dominant hue — from Sanzo Wada's 348 historical plates plus editorial deep-dives.
From the archive
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Library
Colour theory, history and the references designers keep close — recommended on Amazon.
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