Colors that go with Warm Eucalyptus for a nursery
Warm Eucalyptus · #98A189
Warm Eucalyptus (#98A189) — gray-green — Valspar's 2026 colour of the year (swatch is an honest sRGB approximation — the official code is authoritative) — pairs best with muted red, ochre & gold, terracotta & clay, and teal. In a nursery, soften it with muted red, drawn from 8 historically-grounded combinations below.
A nursery wants soft, low-contrast partners — gentle colors that soothe rather than stimulate, and grow with the room past the first year.
About warm eucalyptus
Warm Eucalyptus is gray-green — Valspar's 2026 colour of the year (swatch is an honest sRGB approximation — the official code is authoritative) — a nearly neutral, neutral colour that reads as mid-toned. As a neutral tone it looks most resolved next to one accent with real hue, plus quiet tonal neighbours, and it needs both lighter and deeper shades nearby for the value contrast the eye reads as finished. That balance is what makes it feel serene in a nursery.
- HEX
- #98A189
- RGB
- 152, 161, 137
- HSL
- 83°, 11%, 58%
- CMYK
- 6, 0, 15, 37
Accessibility: put light text on warm eucalyptus for below AA (decorative use) legibility (contrast 2.6:1 against off-white).
Why warm eucalyptus pairs with muted red, ochre & gold, terracotta & clay, and teal
Across the 8 historical combinations below, warm eucalyptus sits most often beside muted red, ochre & gold, terracotta & clay, and teal. That tracks with colour theory: a neutral, mid-toned tone like this one wants one accent with real hue, plus quiet tonal neighbours so the scheme feels intentional rather than flat, and both lighter and deeper partners supply the light-to-dark range the eye needs. A nursery wants soft, low-contrast partners — gentle colors that soothe rather than stimulate, and grow with the room past the first year.
- muted red
- ochre & gold
- terracotta & clay
- teal
Using warm eucalyptus in a nursery
In a nursery, soften it with muted red and ochre & gold. Because warm eucalyptus is mid-toned, it can cover larger surfaces, with teal added for depth.
8 combinations with warm eucalyptus, from the 1933 Dictionary
Corinthian Pink & Pale Lemon Yellow +1
Plate 169 from Sanzo Wada's 1933 Dictionary of Color Combinations — Corinthian Pink, Pale Lemon Yellow, Warm Gray.
#a1a39a #f8b6ba #ffefae
Red & Pale Lemon Yellow +2
Plate 261 from Sanzo Wada's 1933 Dictionary of Color Combinations — Red, Pale Lemon Yellow, Calamine BLue, Warm Gray.
#a1a39a #a72144 #ffefae #78cdd0
Old Rose & Rainette Green +1
Plate 162 from Sanzo Wada's 1933 Dictionary of Color Combinations — Old Rose, Rainette Green, Lilac.
#8fa071 #d46d7a #b984af
Spectrum Red & Ivory Buff +2
Plate 301 from Sanzo Wada's 1933 Dictionary of Color Combinations — Spectrum Red, Ivory Buff, Rainette Green, Aconite Violet.
#8fa071 #e31f26 #ebd3a2 #a36aa5
Light Brown Drab & Etruscan Red +1
Plate 185 from Sanzo Wada's 1933 Dictionary of Color Combinations — Light Brown Drab, Etruscan Red, Pale Lemon Yellow.
#b59392 #c55347 #ffefae
Light Brown Drab & Ochraceous Salmon +1
Plate 223 from Sanzo Wada's 1933 Dictionary of Color Combinations — Light Brown Drab, Ochraceous Salmon, Turquoise Green.
#b59392 #d8a37b #b5decc
Light Brown Drab & Pyrite Yellow +1
Plate 239 from Sanzo Wada's 1933 Dictionary of Color Combinations — Light Brown Drab, Pyrite Yellow, Glaucous Green.
#b59392 #cab356 #b4cdc2
Spectrum Red & Ivory Buff +2
Plate 266 from Sanzo Wada's 1933 Dictionary of Color Combinations — Spectrum Red, Ivory Buff, Rainette Green, Benzol Green.
#8fa071 #e31f26 #ebd3a2 #00978d
Warm Eucalyptus in other settings
Other colors
Studio
Work with this pairing
You have the hex codes for Warm Eucalyptus for a nursery. These are the materials a colour study like this actually gets made with.
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Pantone
Formula Guide — coated & uncoated
When a palette leaves the screen, this is the shared vocabulary between you and the press. Coated and uncoated because the same ink is not the same colour on both.
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Pantone
Color Bridge Guide Set — coated & uncoated
This site hands you hex codes. Color Bridge is the deck that shows what an RGB or HTML value becomes as CMYK ink, and which Pantone spot sits nearest it — the translation step between a screen palette and a printed one. Coated and uncoated because the same ink is not the same colour on both stocks.
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