Colors that go with Warm Mahogany for curtains
Warm Mahogany · #7B473C
Warm Mahogany (#7B473C) — red-brown — Glidden's 2026 colour of the year, PPG1060-7 (swatch is an honest sRGB approximation — the official code is authoritative) — pairs best with muted red, terracotta & clay, ochre & gold, and teal. For curtains, choose muted red, drawn from 8 historically-grounded combinations below.
Curtains frame a room and filter its light, so the partners that work read cleanly against both the wall behind them and the daylight through them.
About warm mahogany
Warm Mahogany is red-brown — Glidden's 2026 colour of the year, PPG1060-7 (swatch is an honest sRGB approximation — the official code is authoritative) — a gently muted, warm colour that reads as deep and grounding. As a warm tone it looks most resolved next to cool and neutral partners that temper its warmth, and it needs lighter shades nearby for the value contrast the eye reads as finished. That balance is what makes it feel refined in curtains.
- HEX
- #7B473C
- RGB
- 123, 71, 60
- HSL
- 10°, 34%, 36%
- CMYK
- 0, 42, 51, 52
Accessibility: put light text on warm mahogany for AAA legibility (contrast 7.2:1 against off-white).
Why warm mahogany pairs with muted red, terracotta & clay, ochre & gold, and teal
Across the 8 historical combinations below, warm mahogany sits most often beside muted red, terracotta & clay, ochre & gold, and teal. That tracks with colour theory: a warm, deep tone like this one wants cool and neutral partners that temper its warmth so the scheme feels intentional rather than flat, and lighter partners supply the light-to-dark range the eye needs. Curtains frame a room and filter its light, so the partners that work read cleanly against both the wall behind them and the daylight through them.
- muted red
- terracotta & clay
- ochre & gold
- teal
Using warm mahogany in curtains
For curtains, choose muted red and terracotta & clay. Because warm mahogany is deep and grounding, keep it to anchor pieces or a single feature area and let muted red carry the larger surfaces.
8 combinations with warm mahogany, from the 1933 Dictionary
Light Pink & Tea
A whisper of pink against tea brown — the tone of an Edo-period lacquer sweet box.
#6C4F3B #E8A4A4 #F3EBDA
Cameo Pink & Spinel Red +1
Plate 165 from Sanzo Wada's 1933 Dictionary of Color Combinations — Cameo Pink, Spinel Red, Vistoris Lake.
#6d4145 #e0b3b6 #f27291
Vistoris Lake & Cream Yellow +1
Plate 226 from Sanzo Wada's 1933 Dictionary of Color Combinations — Vistoris Lake, Cream Yellow, Violet.
#6d4145 #fdbf68 #4f4086
Vistoris Lake & Pale Lemon Yellow +2
Plate 290 from Sanzo Wada's 1933 Dictionary of Color Combinations — Vistoris Lake, Pale Lemon Yellow, Lincoln Green, Cobalt Green.
#6d4145 #ffefae #555832 #96d1aa
Vistoris Lake & Laelia Pink +2
Plate 337 from Sanzo Wada's 1933 Dictionary of Color Combinations — Vistoris Lake, Laelia Pink, Violet Carmine, Black.
#6d4145 #ca92a8 #713b4c #111314
Sulphine Yellow & Pale Raw Umber +1
Plate 160 from Sanzo Wada's 1933 Dictionary of Color Combinations — Sulphine Yellow, Pale Raw Umber, Dark Medici Blue.
#71502f #c19f2c #547076
Cinnamon Buff & Pale Raw Umber +1
Plate 234 from Sanzo Wada's 1933 Dictionary of Color Combinations — Cinnamon Buff, Pale Raw Umber, Pale King's Blue.
#71502f #fdc57e #a7d4e4
Sulpher Yellow & Ochraceous Salmon +2
Plate 296 from Sanzo Wada's 1933 Dictionary of Color Combinations — Sulpher Yellow, Ochraceous Salmon, Pale Raw Umber, Slate Color.
#71502f #f5ecc2 #d8a37b #34454c
Warm Mahogany in other settings
Other colors
Studio
Work with this pairing
You have the hex codes for Warm Mahogany for curtains. These are the materials a colour study like this actually gets made with.
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Pantone
Formula Guide — coated & uncoated
When a palette leaves the screen, this is the shared vocabulary between you and the press. Coated and uncoated because the same ink is not the same colour on both.
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Pantone
Color Bridge Guide Set — coated & uncoated
This site hands you hex codes. Color Bridge is the deck that shows what an RGB or HTML value becomes as CMYK ink, and which Pantone spot sits nearest it — the translation step between a screen palette and a printed one. Coated and uncoated because the same ink is not the same colour on both stocks.
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