What colors are in the "Cameo Pink & Spinel Red +1" palette?

Cameo Pink & Spinel Red +1 contains 3 colors: Cameo Pink (#e0b3b6), Spinel Red (#f27291), Vistoris Lake (#6d4145). From Sanzo Wada's "A Dictionary of Color Combinations" (1933).

When was the "Cameo Pink & Spinel Red +1" palette created?

This palette is from Sanzo Wada's 1933 reference work "A Dictionary of Color Combinations" (Seigensha Art Publishing 2010 reprint). Wada documented historical Japanese color combinations from the showa era and earlier periods. The source work is in the public domain.

What style or era does the "Cameo Pink & Spinel Red +1" palette belong to?

Cameo Pink & Spinel Red +1 is associated with the showa era and emphasizes red tones. Plate 165 from Sanzo Wada's 1933 Dictionary of Color Combinations — Cameo Pink, Spinel Red, Vistoris Lake.

Can I use the "Cameo Pink & Spinel Red +1" palette in my own design?

Yes. The source palette by Sanzo Wada (1933) is in the public domain. This page's curation and metadata are CC BY 4.0 licensed — attribution to colorcombinations.org appreciated but not required for the colors themselves.

Cameo Pink & Spinel Red +1 — The Dictionary of Color Combinations

About this combination

Combination 165 of 348 in Wada's six-volume 1933 work. A 3-colour grouping of Cameo Pink, Spinel Red, Vistoris Lake, as documented in the original plates.

Historical context

This palette is inspired by the tradition of Sanzo Wada's 1933 Dictionary of Color Combinations, which cataloged combinations drawn from centuries of Japanese cultural life. The specific colors here use traditional shikisai names that have been in the public domain for generations.

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Details

Era: Showa
Dominant hue: red
Moods: refined, warm
Colors: 3

Accessibility

WCAG contrast ratios between every color pair. Use the strongest combinations for text; the weakest ones make good decorative backgrounds.

Strongest pair: Cameo Pink on Vistoris Lake — 4.53:1 (AA)

Cameo Pink·Spinel Red1.49:1Fail
Cameo Pink·Vistoris Lake4.53:1AA
Spinel Red·Vistoris Lake3.05:1AA Large

How to read this

AAA: Passes WCAG 2.1 AAA for normal text — the highest accessibility bar.
AA: Passes WCAG 2.1 AA for normal text. Standard production requirement.
AA Large: Passes WCAG 2.1 AA for large text only (18pt+ or 14pt+ bold). Avoid for body copy.
Fail: Below WCAG 2.1 AA. Fine for decorative use — not for text.

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Preview

From the editorial · Long read

The Four Reds: Kurenai, Akane, Shu, Entan

Why Japanese tradition distinguishes safflower crimson from madder from vermilion from lead red — and which to reach for when the brief asks for 'a Japanese red.'

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Related combinations

Three palettes with a similar feel.

Showa era

Grenadine Pink & Deep Indigo

Plate 6 from Sanzo Wada's 1933 Dictionary of Color Combinations — Grenadine Pink, Deep Indigo.

Showa era

Vandyke Red & Pale King's Blue

Plate 16 from Sanzo Wada's 1933 Dictionary of Color Combinations — Vandyke Red, Pale King's Blue.

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Eugenia Red | B & Sea Green

Plate 17 from Sanzo Wada's 1933 Dictionary of Color Combinations — Eugenia Red | B, Sea Green.

Cameo Pink & Spinel Red +1

About this combination

Historical context

Embed this palette

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The Four Reds: Kurenai, Akane, Shu, Entan

Crimson & Navy— 紅と紺

Pale Blue & Vermillion— 浅葱と朱

Celadon & Unbleached— 青磁と生成

Indigo Blue & Silver— 縹と銀

Grass Yellow & Rikyū Grey— 刈安と利休鼠

Royal Purple & Silver— 紫と銀

Grenadine Pink & Deep Indigo

Vandyke Red & Pale King's Blue

Eugenia Red | B & Sea Green