About this combination
Combination 8 of 348 in Wada's six-volume 1933 work. A two-colour pairing of Cinnamon Rufous, Grayish Lavender - A, as documented in the original plates.
Historical context
Plate 8 of Wada's 348 anchors Cinnamon Rufous and Grayish Lavender - A in the orange family — a 2-colour grouping with a refined, warm, austere character, recorded in Sanzo Wada's 1933 Dictionary of Color Combinations (six volumes; Seigensha Art Publishing 2010 reprint), and in the public domain by age. Its strongest pairing — Cinnamon Rufous on Grayish Lavender - A — reaches a contrast ratio of 1.73:1, below the WCAG text-contrast floor, so it reads best in decorative blocks rather than text pairings.
Studio
Taking Cinnamon Rufous & Grayish Lavender - A off the screen
A hex code is an instruction to a screen, not a colour. Where this palette is going decides what it needs next.
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...onto paper
Start here if the palette gets printed. Screen colour and ink colour are not the same colour, and this is the deck that translates between them.
Listed on Amazon as Pantone GP6102B Color Bridge Guide Set Coated & Uncoated, Multi-Colour
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...onto a screen you can trust
Start here if it stays digital. An uncalibrated monitor is the single most common reason a palette that looked right on your desk looks wrong everywhere else.
Calibrite
ColorChecker Studio spectrophotometer
Listed on Amazon as Calibrite ColorChecker Studio Spectrophotometer for Complete Color Management for Display, Projector, Printer and Scanner Profiling
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...by hand
Start here if you are mixing it. Wada's plates were flat printed colour; gansai pans are the closest everyday medium to them.
Kuretake
Gansai Tambi 24 — Art Nouveau
Listed on Amazon as Kuretake GANSAI TAMBI Watercolor Paint Set 24 Colors II - Art Nouveau
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