What colors are in the "Pale Burnt Lake & Yellow Ocher +1" palette?

Pale Burnt Lake & Yellow Ocher +1 contains 3 colors: Pale Burnt Lake (#802626), Yellow Ocher (#e2b540), Olive Yellow (#a6a159). From Sanzo Wada's "A Dictionary of Color Combinations" (1933).

When was the "Pale Burnt Lake & Yellow Ocher +1" palette created?

This palette is from Sanzo Wada's 1933 reference work "A Dictionary of Color Combinations" (Seigensha Art Publishing 2010 reprint). Wada documented historical Japanese color combinations from the showa era and earlier periods. The source work is in the public domain.

What style or era does the "Pale Burnt Lake & Yellow Ocher +1" palette belong to?

Pale Burnt Lake & Yellow Ocher +1 is associated with the showa era and emphasizes red tones. Plate 124 from Sanzo Wada's 1933 Dictionary of Color Combinations — Pale Burnt Lake, Yellow Ocher, Olive Yellow.

Can I use the "Pale Burnt Lake & Yellow Ocher +1" palette in my own design?

Yes. The source palette by Sanzo Wada (1933) is in the public domain. This page's curation and metadata are CC BY 4.0 licensed — attribution to colorcombinations.org appreciated but not required for the colors themselves.

Pale Burnt Lake & Yellow Ocher +1 — The Dictionary of Color Combinations

About this combination

Combination 124 of 348 in Wada's six-volume 1933 work. A 3-colour grouping of Pale Burnt Lake, Yellow Ocher, Olive Yellow, as documented in the original plates.

Historical context

This palette is inspired by the tradition of Sanzo Wada's 1933 Dictionary of Color Combinations, which cataloged combinations drawn from centuries of Japanese cultural life. The specific colors here use traditional shikisai names that have been in the public domain for generations.

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Details

Era: Showa
Dominant hue: red
Moods: refined, warm
Colors: 3

Accessibility

WCAG contrast ratios between every color pair. Use the strongest combinations for text; the weakest ones make good decorative backgrounds.

Strongest pair: Pale Burnt Lake on Yellow Ocher — 4.91:1 (AA)

Pale Burnt Lake·Yellow Ocher4.91:1AA
Pale Burnt Lake·Olive Yellow3.54:1AA Large
Yellow Ocher·Olive Yellow1.39:1Fail

How to read this

AAA: Passes WCAG 2.1 AAA for normal text — the highest accessibility bar.
AA: Passes WCAG 2.1 AA for normal text. Standard production requirement.
AA Large: Passes WCAG 2.1 AA for large text only (18pt+ or 14pt+ bold). Avoid for body copy.
Fail: Below WCAG 2.1 AA. Fine for decorative use — not for text.

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Preview

From the editorial · Long read

The Four Reds: Kurenai, Akane, Shu, Entan

Why Japanese tradition distinguishes safflower crimson from madder from vermilion from lead red — and which to reach for when the brief asks for 'a Japanese red.'

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Deep safflower crimson against navy — the courtly contrast of Heian-era robes and formal Edo textiles.

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Pale Blue & Vermillion— 浅葱と朱

The faded blue of Shinsengumi jackets against shrine-gate vermillion — restrained power.

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Celadon & Unbleached— 青磁と生成

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Indigo Blue & Silver— 縹と銀

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Related combinations

Three palettes with a similar feel.

Showa era

Grenadine Pink & Deep Indigo

Plate 6 from Sanzo Wada's 1933 Dictionary of Color Combinations — Grenadine Pink, Deep Indigo.

Showa era

Vandyke Red & Pale King's Blue

Plate 16 from Sanzo Wada's 1933 Dictionary of Color Combinations — Vandyke Red, Pale King's Blue.

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Eugenia Red | B & Sea Green

Plate 17 from Sanzo Wada's 1933 Dictionary of Color Combinations — Eugenia Red | B, Sea Green.

Pale Burnt Lake & Yellow Ocher +1

About this combination

Historical context

Embed this palette

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The Four Reds: Kurenai, Akane, Shu, Entan

Crimson & Navy— 紅と紺

Pale Blue & Vermillion— 浅葱と朱

Celadon & Unbleached— 青磁と生成

Indigo Blue & Silver— 縹と銀

Grass Yellow & Rikyū Grey— 刈安と利休鼠

Royal Purple & Silver— 紫と銀

Grenadine Pink & Deep Indigo

Vandyke Red & Pale King's Blue

Eugenia Red | B & Sea Green