Showa era · refined · warm

Pale Burnt Lake & Buffy Citrine +1

Plate 177 from Sanzo Wada's 1933 Dictionary of Color Combinations — Pale Burnt Lake, Buffy Citrine, Grayish Lavender - A.

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About this combination

Combination 177 of 348 in Wada's six-volume 1933 work. A 3-colour grouping of Pale Burnt Lake, Buffy Citrine, Grayish Lavender - A, as documented in the original plates.

Historical context

Plate 177 of Wada's 348 anchors Pale Burnt Lake, Buffy Citrine and Grayish Lavender - A in the red family — a 3-colour grouping with a refined, warm character, recorded in Sanzo Wada's 1933 Dictionary of Color Combinations (six volumes; Seigensha Art Publishing 2010 reprint), and in the public domain by age. Its strongest pairing — Pale Burnt Lake on Grayish Lavender - A — reaches a contrast ratio of 4.61:1, meeting the WCAG AA bar for body text, so it holds up for text-on-colour layouts as well as decorative use.

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Questions about Pale Burnt Lake & Buffy Citrine +1

What colors are in the "Pale Burnt Lake & Buffy Citrine +1" palette?
Pale Burnt Lake & Buffy Citrine +1 contains 3 colors: Pale Burnt Lake (#802626), Buffy Citrine (#96874d), Grayish Lavender - A (#b5b1d8). From Sanzo Wada's "A Dictionary of Color Combinations" (1933).
When was the "Pale Burnt Lake & Buffy Citrine +1" palette created?
This palette is from Sanzo Wada's 1933 reference work "A Dictionary of Color Combinations" (Seigensha Art Publishing 2010 reprint). The source work is in the public domain.
What style or era does the "Pale Burnt Lake & Buffy Citrine +1" palette belong to?
Pale Burnt Lake & Buffy Citrine +1 is associated with the showa era and emphasizes red tones. Plate 177 from Sanzo Wada's 1933 Dictionary of Color Combinations — Pale Burnt Lake, Buffy Citrine, Grayish Lavender - A.
Can I use the "Pale Burnt Lake & Buffy Citrine +1" palette in my own design?
Yes. The source palette by Sanzo Wada (1933) is in the public domain. This page's curation and metadata are CC BY 4.0 licensed — attribution to colorcombinations.org appreciated but not required for the colors themselves.

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